Lois Reynolds Mead

Art and a pink monkeyflower in a native plant garden…


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Collagraphs…

The reason that I ended up with two boutiques on the same weekend in December was that I had taken a class last fall through Walnut Creek Civic Arts. If you take a class then you are invited to participate in the sale. I had taken a printmaking class and had a great time. The facility has a large etching press that is wonderful, so, along with block prints I made some collagraphs which I fell in love with doing. It is not like I need to go out and buy any textured papers to create these things, right? I ripped of the back cardboard from every pad of paper in the house and set to gluing. Then I coated the printing plates with layers and layers of gloss medium so the water-based ink could be washed off after the printing was done. Once they were printed I could not leave them alone. You know me, they also got some collage elements added on top and additional printing and coloring. Here is a sampling…

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These two were printed on Rives BFK paper with two printing plates one for the background textures and the other with the animal.

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These were printed on rice paper more like a block print would be rather than with the press. They were embellished with water color and colored pencils along with collage elements.

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This had a background made with a collagraph on the etching press but then had silk screens added on top.

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These were carving blocks I made and stamped on background paper. In the bottom one some of the paper had been sent through my inkjet printer but the paper tore. What to do but tear it some more and emphasize it.

Had so much fun I am taking the class again so I can use that wonderful press and make more collagraphs!


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Pattern, Color, Printing…

Pattern          Color          Printing

While in Provence, we went to the factory where Les Olivades fabrics are printed. These are the iconic “Pierre Deux” fabrics characteristic of Provence. I was excited to see the silk-screen process. (You may remember that when I entered my first Duomo in Italy I decided my goal was to become the intern sitting on the floor cleaning ancient mosaics with a tooth-brush; when I marbled paper in a paper store in Florence I wanted to hire on to be their “marbler”; and Paris made me think I could get hired to paint walls the colors that the Musee D’Orsay has chosen.) Now that I have returned from Provence I want to follow in the steps of the many Cheesemen I saw in the marches (my friend Lisa and I have signed up for a cheese making class in August) and I keep wondering why I spent so many years in that classroom when I could have been learning how to be a master-printer at Les Olivades? The process is very similar to EZScreen printing which I love because its cleanup is with water. Here is my iMovie of the process: (You can make it full screen by clicking the square to the left of the word Vimeo.)

pillowThe pillow I bought at the factory store. (Any one else have a husband that hates pillows on the couch? geez, I felt like I was bringing back contraband!)

patternsPatterns for a class with guru Mary Ann Moss here and an inkjet transparency of a photo I took of the clock at the Musee D’Orsay ready to be made into a silk screen. Fun is happening here!