Lois Reynolds Mead

Art and a pink monkeyflower in a native plant garden…


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Travel Journal Ready

Ready to go…

The bags are getting packed and the travel journal is ready for use. First stop will be Bacharach on the Rhine. Already inserted are copies of postcards of Lorelai and the painting by JMW Turner of the Lorelai cliff on the Rhine is a centerfold. Turner popularized this area with British tourists by painting and sketching it.

I also included a photo of the placemat from a German restaurant in Berkeley.

The next segment of the trip will be Leiden, the Netherlands.

The ephemera I found on Etsy:

I will be looking for images in the Rijksmuseum by Charley Toorop, a Dutch painter who lived from 1891-1955. I was struck by her style.

While in Leiden we will take a side trip to Bruges…

Now it is ready to be filled with my impressions.


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Published!

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Creative Legacy

I have subscribed to a magazine for a few years that tickles my fancy when it comes to creating. The magazine is called Uppercase and is published in Canada. One woman, Janine Vangool, is the publisher, editor, and designer and it is published for the “creative and curious”. Showcasing artists and crafts she periodically puts out a call for submissions on different topics, so when she asked for articles on the impact of growing up in a family where you were surrounded by art I could not resist a submission. It was my good fortune to have it accepted for publication. My article joined others exploring how creativity is passed down from generation to generation and how making is part of our heritage. (I think maybe being published had been on my bucket list…so, cross that one off! ) It certainly was a thrill the day the postman delivered my copy.

Here is the article with two lithographs by my father illustrating the text. Now I get to say if you want a subscription to this magazine, published four times a year, by using the code “summer30” you can receive $15.00 off for the year subscription. You could also purchase a single issue (# 30) here: http://shop.uppercasemagazine.com/collections/current-issue 

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A confection…3…

The inside of the Palau Musica Catalana…

Lobby and grande staircase.

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The marble balustrade with iron encased in glass railing…

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Possibly the most impressive and beautiful skylight. The Moderisme architects did assemble the best artists and support team available…stained glass by Antoni Rigalt…

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I’m including some music to entertain you…

A sculptural ode to Catalan folk music on the left of the stage…

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A sculptural ode to classical music on the right…(that is Beethoven)…

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Stage murals of eighteen muses with trencadís in the background, three-dimensional sculptures of heads and instruments by Eusebi Arnau, and mosaic bodies by Lluí Brú.

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A confection…2…

Stepping out onto the balcony of the Palau de la Musica Catalana with its double rows of pillars covered in mosaic was like stepping into fantasy-land. I think that if Salvador Dali and Walt Disney collaborated on a surrealist sci-fi movie with a setting in a birthday cake this would be where they filmed it, n’est-ce pas?

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The details, it is all in the details…(if you double click on these pictures they will get bigger so you can see the details!)

As coincidence would have it, if you live near San Francisco, the Walt Disney Family Museum has an exhibit until January called Disney and Dali. They did collaborate! They made a short movie together and had plans for other projects.

 

 


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Good things…

Back before I went to Barcelona, I mentioned that I had been helping some parents at an elementary school in the district I used to teach in construct a ceramic mosaic. When I left, after many months of making clay tiles, glazing clay tiles, creating images of the life skills the kids at the school are taught, and cutting tiles and mirror for the background, they had begun the installation.

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By the time I got back they had completed the installation with every kid in the school getting to make an addition of some type. They had even completed the grouting and the entire mural was absolutely fabulous! (I was kind of sorry I missed the grouting because I do love to grout. Oh, well, the next project!)

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These are Shweta and Tammy, mothers, artists, volunteers, organizers and Renaissance women who are really fun to hang around with because they do cool projects. I would follow them into an art project anywhere. Kudos on a job well-done! Just goes to prove the universal goodness brought to you by art.

In addition, on the universal goodness of nature:

I have mentioned my Dutchman’s Pipevine on my gate many times over the years. It is great because it is a California native plant so takes little water, the deer don’t like to eat it so it can hang to the outside of the garden gate, and it has possibly the greatest flower ever seen…

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We planted ours probably six years ago for the above qualities and one more. There is a Pipevine Swallowtail butterfly that only likes it. So we have waited and waited for ours to come…which it finally did a few weeks ago.

I could not get a picture of it because it was really flittering…

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but Terry succeeded…

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but then it was gone. Today I passed by the vine and into the house, glancing over to see if it was time for me to take fast growing tendrils and weave them back into the trellis and I noticed that many ends had been chewed off.

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After my first thought that we had somehow grown a super-large example of deer that was taller than the gate and wrecking havoc despite the poisonous nature of the plant (which is why they are not supposed to like to eat it), I looked closer and found that we now have a colony of caterpillars…

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The caterpillars are not poisonous at first, but the more leaves they eat the more poisonous they become. This is why the birds do not like them even though black with red spikes makes them kind of obvious. The caterpillars leave the Pipevine for a different plant when they make their chrysalis. I feel like a grandmother to thousands! I am so proud…


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Under the Tuscan sun…

Terry and I, with the support and help of our friend Marcie Beyatte, are making plans for a sojourn in the Tuscan countryside (25 minutes from Florence) next September. If you would like more information or to join us, Marcie has posted information on her blog site here: http://prontomarcella.com/2014/04/11/join-me-in-italy-in-september-2015-for-nature-and-art/

She includes pictures and descriptions of accommodations, activities, and excursions as well as contact information.

Very exciting!

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Prisoner of paper…

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I was so taken with our day on Alcatraz, I decided to make a book…what else could I do? This is a nice, simple structure I have wanted to try. I had a sheet of Fabriano Artistico 140 lb. paper on hand so the idea stuck and I was imprisoned by it until the book was completed.

Here is the structure.

I tore 5 pieces of paper 6″ x 12″ out of a big sheet of the Fabriano paper. (I have found if you fold and crease the paper three times, back and forth, it tears quite beautifully and cleanly.)

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Three inches from each side (long way) I scored and folded a flap…

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On the outside I put double-stick tape and stuck the flaps back to back. (This means there was a single 3″ flap, a 6″square, and a double 3″ flap until I had a long line of the pages attached together.

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So that the book closes as a 6″ square, I folded the first 3″ flap over the first 6″ square and then folded the next double flap around to the back and continued as it folded into a book shape.

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I decorated a 6th piece of paper with water-color and pen. (This piece was slightly longer, 12 1/4″, since it had to wrap around the very thick Fabriano paper and even then it didn’t quite meet in the middle. Mathematically it should have, but when it is Lois, the not-quite-precise, one just has to say “oh, that is the way I wanted it” and keep going…

The inside of the cover’s left-hand flap is attached to the outside of the first flap of the inner pages and the right-hand flap inside is attached to the outside of the last page. Both outside flaps meet on the front and are connected with a closure.

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I printed out the pictures I liked from our day on Alcatraz 5″ x 5″ onto presentation paper from Office Depot (it is a nice, matte, two-sided paper that is not as expensive as photo paper. The images are very clear and I use and like it a lot for printing with my inkjet printer.) Photos that were of textures I cut in half and attached to the 3″ flaps, leaving 5 of the 5″ x 5″ prints to be centered on the 6″ pages.

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Oh, and a little silver-striped washi tape because I just can’t help myself…

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Garden and Glass, two…

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As you leave the dark gallery area of the Chihuly Garden and Glass in Seattle you step into areas where the glass objects interact with natural light. The glass glows in both environments. Talk about blowing your mind on color. In the transition area is a wall filled with blown-up images of old postcards depicting a collection of landmark glasshouses in gardens around the world. Right before walking into Chihuly’s glasshouse you get a sense of this unique type of architecture. I was reminded of walking into the Sainte-Chapelle Chapel in Paris. Maybe I was experiencing “art as a protective covering”. Chihuly’s glasshouse is asymmetrical and contains a 100 foot suspended sculpture.

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Exiting the glasshouse you enter the gardens where the glass interacts with nature.

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I loved the way plants were used as a backdrop for the glass. In an area confined to black and white coloring, covering the ground was black mondo grass. (It is not often you can find a plant that can give you such a background color and texture. Works wonderfully here. I mentioned this plant before and how I combined it with chartreuse plants, although, in our garden I can only use it in containers since it is not a California Native. TM sets the rules on that!)

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Black mondo grass covering a hill, this time…

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It was time for lunch before going up in the Space Needle, so we went back inside to the cafe connected to the garden. It seems Chihuly is also an inveterate collector (the cafe is called Collections and his personal collections are everywhere.)

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The ceiling contains his collection of accordions…

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Walls have a collection of his paintings and figurines…

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and the tables to eat at were the coolest…a box covered with glass was in the center of each table and inside was one of his collections.

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The food was good, too…later, coming down from the Space Needle I got this bird’s-eye view of the layout of the garden…

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There are some nice videos on Chihuly’s website. Worth the time to watch…


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Garden and Glass, part one…

After walking past the wonderful Gehry building in Seattle, we came to the Chihuly Garden and Glass exhibit.

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Walking in, you enter into a series of galleries that contain Chihuly’s early work.

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His series that referenced Native American baskets…

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All together there are eight galleries and two drawing walls that give a comprehensive collection of his work.

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Textures made when the glass was expanded creating fissures in the gold leaf on its surface…and the drawings he makes before starting a piece…

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Some works are monumental…

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and some are on the ceiling like a skylight…

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throwing their reflections against the wall…

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The galleries are totally black with the glass work sitting on black pedestals. The colors glow from small spotlights. The only processing I did of my pictures was to retouch the tiny white rows of lights. The color is all Chihuly. If I lived in Seattle and was prone to depression because of lack of light, I would make my way here as often as possible to give my mental health a boost. I muttered reverentially the word “color’ as I walked through these rooms and have thought about the vibrancy of the experience continually since I have been home.

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The shiny pedestals also make for interesting reflections…

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The first picture wall with the works in Golden acrylic paint and lots of iridescent powders…(love that squirt bottle he uses)…

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The chandeliers he made for over Venice canals…

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The last of the galleries had his       series…I will let him speak for himself…

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Oh, yum…part two will be the garden and glasshouse…


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Variations on a shingle…

Last month we spent a weekend in Seattle to celebrate many family occasions that happen in the month of August. (Two birthdays and three anniversaries all on Terry’s side of the family.) While we were there we had a lovely day seeing the Space Needle (Terry had never been up in it, although I had been there in 1962 during the World’s Fair.) An added bonus is that right next to the needle Dale Chihuly’s Garden and Glass museum is located. (There is a great senior citizen discount if you buy a combo ticket for both!) As we were walking to buy our tickets we also passed another amazing building and when I got home I found it was a Frank Gehry building housing the EMP Museum. ( Think: the Guggenheim in Spain and the Disney Concert Hall in L.A. Same architect.) EMP stands for Experience Music Project. The old monorail built for the World’s Fair goes right through the center. We did not have time to see inside, but I did enjoy the surface outside. What a feast for the eyes!

From their website:

“EMP is a leading-edge, nonprofit museum, dedicated to the ideas and risk-taking that fuel contemporary popular culture. With its roots in rock ‘n’ roll, EMP serves as a gateway museum, reaching multigenerational audiences through our collections, exhibitions, and educational programs, using interactive technologies to engage and empower our visitors. At EMP, artists, audiences and ideas converge, bringing understanding, interpretation, and scholarship to the popular culture of our time.

 EMP’s futuristic Frank O. Gehry designed building is constructed of over 21,000 aluminum and stainless steel shingles and 280 steel ribs. If its 400 tons of structural steel were stretched into the lightest banjo string it would extend one-fourth of the way to Venus.

A classical music fan, Gehry wanted to understand rock ‘n’ roll, so he traded in his Bach for Hendrix and took a trip to the neighborhood guitar store. He bought several electric guitars, took them back to his office, and cut them into pieces. The guitar pieces were the building blocks for an early model design. Influenced by the colors in the early model, Gehry’s final design brightly displays the red and blue hues of electric guitars.”
I did love looking at this building…
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Once we were up in the Space Needle we could see down on the roof of the building.
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Next time, I would definitely include time to look inside Frank Gehry’s museum…