Lois Reynolds Mead

Art and a pink monkeyflower in a native plant garden…


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Bees…

While walking through the Castel Sant’Angelo we came across a newel post covered with carved bees. I thought it was charming in its weathered way.

The symbol of the bee related to the family Barberini (they had changed it from an earlier symbol of a horsefly) and a few days later we visited their Palazzo which is now the Galleria Nazionale d’Arte Antica. This is a building worked on by three different architects, Bernini, Borromini, and Maderno. Bees were everywhere. Picasso was also everywhere on this trip…we saw three different exhibits of his work (more on that in another post.)

Bees on the top of the fountain…

On the ceilings…

Around niches for sculptures…

In nooks and crannies…

I loved this central staircase by Bernini…

Images from the grounds…


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Typography as art…

On the bottom floor of the Palace of Fine Arts Legion of Honor, next to the cafe, is a small gallery/room that contains some treasures. Each visit I make I am sure to pop in to see what is on display. Something always catches my imagination and blows my creative juices into the air. Last Thursday’s visit did not disappoint because the small gallery of Illustrated Books was focusing on “Inspired Alphabets”.

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I walked into the room and was caught by the word circus…then lithography…if you have read this blog for a while you will recognize some of my favorite themes…


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Then there was this fabulous collage book with collaged lettering…



More lithography…





And who knew Claes Oldenburg envisioned buildings and cities made from letters…




There is much to be said for the small book that can be held in one hand…with the power of the fold…



The letters themselves creating abstract art…and the overprint…









The Dada Movement…



Lifted by my interaction with the typography, I got home to a new visual journal I had under construction and had found the way I wanted to create the title page…

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Onward and upward…my souvenir of the day was an idea…


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Monet, young…

Thursday we visited the Palace of the Legion of Honor to see their “Monet, The Early Years” show.


When we started from home it was a drizzle and it stayed that way all across the city.

When we got to the museum there was no parking except miles and miles down the road. Two positives from that were adding multiple steps to our Fitbits and we were so far down the road we got the best view of the Golden Gate Bridge, ever.


The museum was more crowded than I had ever seen, so my pictures were hard to get. I was dodging around stationary people listening to handsets. Later we found out that it was a free day for KQED members. Oh, and it was Spring Break so there were lots of kids around. A sampling of the art when he was young:

 

Fishing Boats, 1866


A Hut at Sainte-Adresse, 1867


The Seine at Bougival, 1869


The Porte d’Amont, Etretat, ca. 1868-69


Still life with Flowers and Fruit, 1869


Camille on the Beach, 1870. 


The Pont Neufchâtel in Paris, 1871


Argenteuil, 1872


Still Life with Melon, 1872


The Port at Argenteuil, 1872


Regatta at Argenteuil, 1872

The last one really shows him developing into Impressionism. The reflections on the water are delicious.

After wending our way through the legion of crowds, we drove over to Land’s End for lunch at the Cliff House. Didn’t get a table by the window, but that was ok, we got popovers…






Very happy that we made it home without a traffic jam and before a very big storm.


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Basics…

Yesterday I was motivated to work on mixing my own watercolors. The stars were aligned and I finally had all the supplies I needed. What had delayed me was not having watercolor half-pans to store the finished mixes in, but the last time I ordered a book from Amazon I remembered to order the little, white pans.

On our travels I had collected dry pigments as souvenirs. The first time was when we visited Roussillon in Provence back in 2013. (This may have been what spurred me on, also: we are taking an OLLI class through CAL—six weeks of talking and reading about Provence. It is bringing back lots and lots of memories.) In the Fall of 2015 when we were in Venice I visited a store that, among other things, carried pigments.

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Roussillon

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The red cliffs around Roussillon

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Venice

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My paint! The larger bottles are the pigment from Venice. (No, I did not have to carry those jars in my suitcase. They came in plastics bags and I put them in the jars from The Container Store after I got home.) The small vials are from Roussillon. The pigments are mixed with gum arabic and a bit of honey on a sheet of glass. Always wear a mask because the pigment in powder form is bad for your lungs. My only trouble now is I have already used up all the available half-pans so have to get more. Did not even get to experiment with my yellows and reds, yet…


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Published!

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Creative Legacy

I have subscribed to a magazine for a few years that tickles my fancy when it comes to creating. The magazine is called Uppercase and is published in Canada. One woman, Janine Vangool, is the publisher, editor, and designer and it is published for the “creative and curious”. Showcasing artists and crafts she periodically puts out a call for submissions on different topics, so when she asked for articles on the impact of growing up in a family where you were surrounded by art I could not resist a submission. It was my good fortune to have it accepted for publication. My article joined others exploring how creativity is passed down from generation to generation and how making is part of our heritage. (I think maybe being published had been on my bucket list…so, cross that one off! ) It certainly was a thrill the day the postman delivered my copy.

Here is the article with two lithographs by my father illustrating the text. Now I get to say if you want a subscription to this magazine, published four times a year, by using the code “summer30” you can receive $15.00 off for the year subscription. You could also purchase a single issue (# 30) here: http://shop.uppercasemagazine.com/collections/current-issue 

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And the fun rolls on…

Second day into the new year and the fun just keeps happening…Saturday morning trip through San Francisco, over the Golden Gate Bridge and to Sausalito for tile samples at Heath (planning a new backsplash). Got finished so quickly at the factory store that there was a lovely hour for wandering the bay side harbor. Brisk, but beautiful, on the second day of the year…the sky was particularly lovely this day, what with all its pelicans and all…

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Treasure Island and the San Francisco skyline from across the Bay…

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A spit just covered with pelicans and cormorants…

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Then to lunch on the theme of Italy, once again…which reminds me I need to revisit my photos from our trip to Italy in September/October to continue the story…

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A confection…

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Gaudí was not the only one. There was also Lluís Domènech i Montaner one of his contemporaries and a professor at the architecture school in Barcelona for forty-five years. He was also a politician prominent in the Catalan autonomist movement. Montaner’s concert hall design is quite amazing.

The Palau de la Música Catalana is a concert hall designed in the Catalan modernista style. It was built between 1905 and 1908 for the Orfeó Català, a choral society founded in 1891 that was a leading force in the Catalan cultural movement that came to be known as the Renaixença (Catalan Rebirth). Between 1982 and 1989, the building underwent extensive restoration, remodeling, and extension. In 1997, the Palau de la Música Catalana was declared a UNESCO World Heritage Site. Today, more than half a million people a year attend musical performances in the Palau that range from symphonic and chamber music to jazz and Cançó (Catalan song).

A red brick and iron structure, it is cramped in with its neighbors but has so much to look at I stood in front of it and gaped…

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Famous musicians connected to the choral society are depicted at the top of the pillars.

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The front has the original ticket booths that no longer function, and mosaic everywhere.

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The sculpture on the corner of the building was created by Miguel Blay and is called The Catalan Song. His signature can be found if you look hard enough.

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The new entrance is around the side of the building where we went to meet up with our tour of the interior…

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Dressing rooms, a library, and practice rooms are located in the new tower.

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New pillars carrying the spirit of the old.

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Our tour took us up to a second floor salon just off of the balcony with the exterior pillars which currently had an exhibit of Miró sculptures (I will show you that in the next post).

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Mosaics in the building were by Lluís Brú; ceramics by Josep Orriols; stained glass by Rigalt í Granell; cement tiles by Escofet; and sculptures by Miguel Blay, Eusebí Arnau and Pau Gargallo.

I took so many photos of this building…pattern, pattern, pattern…I did get a little exuberant with my iPhone out on that balcony with all the mosaic pillars…exuberance begets exuberance…so I am going to break it into multiple posts. Watch this space!